October 9th, 2014 | RESEARCH
The scrapbook of Winifred Penn-Gaskell – celebrated aerophilatelist and collector of aeronautica –reveals a great deal about its maker and the social and political context of early flight history in Britain. It is argued here that a ‘reading’ of the book as a non-textual object offers a predictive argument for the aesthetic and cultural representation of heavier-than-air craft and pilots in the years immediately prior to the First World War. By viewing each section of the scrapbook as parts of a contingent whole, the early-twentieth century interest in performative masculinity (physical culture and boxing) becomes a part of the technological narrative of aviation development. In this paper I question the implications of branding an object such as this ‘irrelevant’ to the broader themes of the Penn-Gaskell collection, and offer some views of my own on how the notion of failure affects museological practices.
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Team Members
Caitlin Doherty, Author, Cambridge UniversityCitation
Identifier Type: DOI
Identifier: 10.15180/140210
Publication: Science Museum Group Journal
Volume: 1
Number: 2
Related URLs
Full Text via Science Museum Group
Tags
Audience: General Public | Museum | ISE Professionals
Discipline: General STEM | History | policy | law | Physics | Space science | Technology
Resource Type: Peer-reviewed article | Research Products
Environment Type: Exhibitions | Museum and Science Center Exhibits