Integrated Curriculum and Our Paradigm of Cognition in the Arts

November 1st, 1998 | RESEARCH

The growing interest in integrating the arts across the curriculum represents an important change from previous concerns about teaching the structure of individual disciplines. It will require a change in the concept of cognition in the arts that is currently dominant in our psychology. This concept-the 'symbol systems' account-restricts thinking to one medium or symbol system at a time, whether the medium is a medium of perception-as in 'visual thinking'-or of expression-as with drawing. The restriction delegitimizes the kind of cross-media connections in thought that integrated learning requires, including connections with culture and student purposes. The new interest will require of art educators a more equal balance between epistemological and psychological considerations and a more generous view of the role of language in learning.

Document

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Team Members

Michael Parsons, Author, The Ohio State University

Citation

Publication: Studies in Art Education
Volume: 39
Number: 2
Page(s): 103

Related URLs

http://www.jstor.org/stable/1320463

Tags

Audience: Educators | Teachers
Discipline: Art | music | theater | Social science and psychology
Resource Type: Peer-reviewed article | Research Products
Environment Type: Informal | Formal Connections